Identity in William Gibson’s Neuromancer :: Neuromancer

The Question of Identity in William Gibsons Neuromancer William Gibsons Neuromancer is a science fiction novel that is seen by many as the superior work of the cyberpunk genre. Neuromancer, like the countless others of its kind to follow, addresses themes concerning identity and/or lack there of. The cyberpunk genre as argued by Bruce sterling(prenominal) was born out of the 1980s and was due in part to the rapid decentralization of engineering. With the influx of computers, the internet, and virtual reality into the everyday household came technological discoveries that abnormal the individual. Certain themes that are central to cyberpunk involve implanted circuitry, ornamental surgery, and mind invasions such as brain computer interfaces and artificial intelligence. (Sterling 346) With these issues in mind one must wonder what affect they pass on on the self or ones identity. Within Neuomancer, Gibson creates a approaching where identities toilette become obscure/ambiguous, due to the sophisticated technology gettable which may alter various facets of a persons material or mental identity. In Neuromancer, mollies sunglasses can be seen as a technological adaptation prohibiting her eyes from creation seen. ...the glasses were surgically inset, sealing her sockets. The silver lenses seemed to grow from smooth blanch skin above her cheekbones... (Gibson 24) The eyes are said to be windows to the soul. galore(postnominal) emotions and states of mind are conveyed by the eyes. Molly, however, does not relinquish this power of intelligence to others. The lenses were empty quicksilver, regarding him with an insect calm. (Gibson 30) The mirrored sunglasses mask key characteristics of Mollys identity (emotions). Cosmetic surgery is another means by which characters in Gibsons Neuromancer obscure their identities. On several occasions the lector comes in contact with individuals who have had surgery to make themselves appear more than younkerful or ev en to create a new face. Armitage and Riviera are two such characters who had faces created for them. He was very beautiful Case fancied the features were the work of a Chiba surgeon. A subtle job, nothing like Armitages blandly handsome blend of pop faces. (Gibson 97) In this instance we have an example of two characters who have utilized state of the art technology to alter their physical identity. Referring to two policemen, Case peered at them and saw that their youth was counterfeit, marked by a certain telltale corrugation at the knuckles, something that the surgeons were unavailing to erase.